Heav'nly Musick
On occasion, I write brief pieces on classical music, usually individual composers. I believe I have already mentioned on this blog my notion of divine music or music that approaches divinity. It is a quality I find in the most powerful classical music. Mozart, for example, though he exhibits many admirable qualities, lacks this particular one. Beethoven has it, and Handel approaches it with his more mature choral pieces. Another noteworthy example is Strauss's Thus Spake Zarathustra, otherwise known as the 2001 theme.
I was reminded to write this piece by a work I listened to last night, which I had not heard in some time: Saint-Saens's Organ Concerto no. 3 (Maestoso movement, if I'm not mistaken). Particularly the first minute or so of this movement contains this divine quality, one which temporarily at least diminishes the gap between the heavens and earth (excuse me for being poetic, but I'm allowed it once in a while).
On the literary front, I spent this reading week doing nothing other than, well, reading. I am preparing for a presentation I will be having in just under two weeks' time on Dryden's MacFlecknoe OR Absalom and Achitophel. I've done quite a bit of research on it (background, etc), but am having trouble coming up with an original argument (as far as I can tell, no one else has had an original about MacFlecknoe during the past 25 years, so how I'm supposed to is beyond me). This is one of the things I dislike about grad school and leads me to believe, as several older PhDs have mentioned, that I have finally grown weary of course(work), which apparently is not uncommon. I like both my profs, so it's definitely not them.
I was reminded to write this piece by a work I listened to last night, which I had not heard in some time: Saint-Saens's Organ Concerto no. 3 (Maestoso movement, if I'm not mistaken). Particularly the first minute or so of this movement contains this divine quality, one which temporarily at least diminishes the gap between the heavens and earth (excuse me for being poetic, but I'm allowed it once in a while).
On the literary front, I spent this reading week doing nothing other than, well, reading. I am preparing for a presentation I will be having in just under two weeks' time on Dryden's MacFlecknoe OR Absalom and Achitophel. I've done quite a bit of research on it (background, etc), but am having trouble coming up with an original argument (as far as I can tell, no one else has had an original about MacFlecknoe during the past 25 years, so how I'm supposed to is beyond me). This is one of the things I dislike about grad school and leads me to believe, as several older PhDs have mentioned, that I have finally grown weary of course(work), which apparently is not uncommon. I like both my profs, so it's definitely not them.